Subject, memory and history in Helder Macedo’s novel Partes de África.

Abstract

This article presents a reading of the Helder Macedos’s novel Partes de África, under the optics of the disintegration and the possibility of meeting of the parts in a coherent story that displays the constitution of the narrative as agglutinant factor of the told life. Such process if gives to way Paul Ricoeur’s theory, who deals with the identity searched through the object that if exactly becomes the man in search of itself.